"You're not going to be able to carry it home on the subway," Berroa tells him over the phone, and he allows as how he can't carry anything right now anyhow, way his arm's still in the sling. He can stop on the way home from finals - his bodyguard-slash-driver been taking him to those anyhow, and it's just a matter of getting him to swing by the Collective on the way home.
Val walks into the familiar practice room and meets the steady gaze of the man sitting behind the drumset where normally he'd be seated. This is a man who's played with Dizzy Gillespie, who's won Grammy awards, who has full discography and a regular name for himself in the industry.
This is also the man who arranged, along with Val's jazz professor, for him to take Special Studies next semester. The man who once told Val to go home and either 'jerk off or get yourself laid, but don't come back here until you've got that tension out.' He doesn't pull punches. He doesn't give empty praise. When he told Val come down here and meet him before he goes 'running off to New Orleans' , there was no question that it was a command performance, not a request.
Berroa looks the boy over, head to toe. Takes in the sling, shakes his head in mute disapproval.
"It's getting better," Val mumbles.
Berroa grunts. "Got to take care of your arms and hands, Valentine. That's your bread and meat right there. You can't be screwing around getting yourself into fights if you're serious about this."
Val hangs his head. There's no sense in explaining the details, so he just nods along because it's true enough.
"Not here to talk about that though. We're gonna have ourselves a little talk about something else." Berroa doesn't offer him the single chair in the room, and doesn't get up from the stool he's settled on behind the kit. If the boy sits, he sits.
Valentine chooses to stand. "Did you want me to schedule my lessons for when I get back? I know it'll be sometime mid-January before my schedule normalizes again..."
Berroa shakes his head, waves dismissively. "Whenever you get back in town, you call and set things up. I just wanted to give you something. For Christmas."
Val smiles a bit awkwardly. "Thank you. You didn't have to--"
"You're right, I didn't." Berroa fixes him with a look from behind the drumkit. "There's a lesson for you there, though. Someone says they have something to give you, accept it gracefully. You never know who's gonna give you something you can use in this world, Valentine. You got an opportunity, you take it. Don't go munging it up with 'you shouldn't have' or 'no, that's alright' or whatever apologetic phrase you've got going in that head of yours." He picks up one of his sticks, points towards his desk. "Leaning on the other side of it. You get that guy you got with you to carry them."
Val rounds the desk quietly, looks to where a pair of shiny new cymbals are leaning up against it.
Bosphorous Versa series, according to the embossed label on each. They're possibly the nicest set he's seen up close. "Thank you!" he says, looking up from the shine of them to smile bright. "Thank you so much."
Berroa gives a grunt that may be pleased. "Yeah, well. I get a discount on them - they're the Ignacio Berroa signature series after all." A little snort to indicate what he thinks of
that bit of business. "Good cymbals though. Hand hammered, you'll get a nice crisp sound out of them. Do a little latin number with your band."
A bit more small talk, and Danny's loading the cymbals into the car while Val lingers and tries to think of either a reason to get going or something else to say. He doesn't know why he feels so awkward around Berroa, only that he always does. It's not the 'famous' thing - he's known plenty of folks who were Somebody before. Hell, he was one of them once his own self. It's not that he's particular intimidating , or mean or anything. It takes Val a bit to pin it down, and he's almost all the way out the door after having muttered a 'Merry Christmas' as a goodbye, before it hits him.
It's because Berroa got that way about him that musicians have - that internal metronome - that deep feeling for music, that innate talent that Valentine thought for so long he lacked. He worries sometimes that Berroa will turn to him in the middle of a lesson and say "Kid, stop faking it. Stop fooling yourself, you don't belong here." But he never does. Even when he's not getting it, even when he's tense and wired like a spring and can't play right, there's no 'oh just give it up' or 'you're not good enough for this'.
A bit of admonishment for his mistakes, encouragement for his efforts in the form of a nod or smile or pat on the shoulder, and a hell of a lot of learning - that's what he's got from Berroa. That's the real gift the cymbals symbolize. The knowledge that this
real musician, who has no reason to be biased towards him whatsoever, believes in him. Believes he's got talent, believes he's worth teaching.
Val smiles brighter, more genuine, on his way back to the car. Gets in the passengers side, looking over his shoulder to the burnished metal of the cymbals in the back seat. It's a lovely gift indeed.
Birthdate: 2/14/1989
Birthplace:Los Angeles
Current Residence: 21 Astor Place NYC NY
Occupation: Student at Columbia University /
Clerk at Broken Records LTD
Lives with: Uncle Hans (
and uncle Met (
In love with: Ellis (
Best friends with:
NancyChuck (Short Bio:
A former child actor, Valentine has a deep and abiding love for music. For the first time in his life, he is around people who encourage that interest. He is currently taking lessons for drum and piano.
He is seeing a
vampiricblues/jazz musician of whom he is very enamored despite the age difference.In addition to music, his family and his boyfriend - Valentine loves hats, old fashioned manners, talking to people on the internet, learning new things, travel, being told stories, stealing Ellis's handkerchiefs, when Ellis sings to him, being with his family, drum circles, dancing, learning to play his instruments,going to college, his iphone, Mister Hairless, New Orleans
He does not love people who are mean, homophobic or racist people, your momma, your emo problems, being touched, the NYC winter, French people, and a lot of pop culture.
Val is fairly attractive (though he's not the kind of person who 'knows it'), usually found dressed in a pair of jeans, a band t-shirt, and Dark Side of the Moon sneakers unless it's a dressy occasion.
Val is intelligent, articulate, friendly and charismatic. He enjoys talking about music, history, and often has a habit of asking people about themselves while volunteering no information about himself in return. Under all that, he's introverted, sensitive, and mistrustful.
He's a 'normal' human boy - that is to say, no special powers, no supernatural abilities. He is, however, aware of the supernatural and close to a lot of supernatural beings regardless of what he might let on.
Sensitive types (empaths, creatures with the ability to sense such things) may pick up on Val being a very private and somewhat mistrustful person, despite what he outwardly projects. They may also note that while he himself is completely human, he frequently travels of the company of vampires, and other supernaturals.
Perhaps as a result of this, or due to his solid mind, Val is naturally resistant to demonic powers and magics of that ilk. It's also very difficult to read his mind - it's like a maelstrom in there.
Val is both bisexual and monogamous. He will get very offended if you confuse bisexuality with promiscuity. He is not interested in you THAT way, and will not 'ship' with you.
He does not split verses.
New friends always welcome!
OOC:
Valentine Varner is an original character by
Please feel free to contact me if you have any questions about Val.